A pilot scheme has opened to visual artists and writers under the Creative Ireland Programme allowing them to focus on their creative output.A review of the pilot scheme for artists was recently undertaken by the Department of Employment Affairs and Social Protection in consultation with the Department of Culture, Heritage and the Gaeltacht.In line with this recommendation, Ministers Doherty and Josepha Madigan announced, on 5 July 2019, that the scheme would be extended on a permanent basis to other self-employed artists such as those working in theatre and music. This expanded scheme recognises the unique creative circumstances of professional artists in receipt of Jobseeker’s Allowance and gives them special assistance in their first year out of work.Professional artists engaged in a wide variety of art forms who are on Jobseeker’s Allowance will now be able to focus on their artistic work and to develop their portfolio. They will be exempt from participating in the normal labour market activation activities for the first year that they are out of work.Minister Doherty said: “Ireland is well known throughout the world for its unique contribution to all art forms. Giving professional artists an opportunity to expand their creative work in a practical way is our way of acknowledging the important work that professional artists do.“We know that creativity must be fostered and allowed to develop rather than imposing restrictions on the time needed to produce creative work to a professional standard. “I am delighted to extend my Department’s scheme as was recommended in the review undertaken by my Department in consultation with the Department of Culture Heritage and Gaeltacht.“I would also like to acknowledge the support and input from The Arts Council along with representatives from Visual Artists Ireland and the Irish Writers Centre.“My Department looks forward to accepting applications from professional artists who satisfy the qualifying conditions and to support them in the development of their professional careers.”The review recommended that the pilot should be established as a permanent scheme in its own right and extended to include professionals from other artistic disciplines.Minister Madigan commented: “This Government recognises the crucial role that the arts and culture play in our nation. That’s why we have already made significant progress on our public commitment to double funding for culture, heritage and the Gaeltacht by 2025. In Budget 2019, funding for arts and culture increased by €22.6m to almost €190m, an increase of 14% on 2018.Artists, performers and stage designers are central to this. They deserve our full support particularly given the significant income challenges they can face.That’s why we expanded this scheme, a pilot initiative of the all-of-Government Creative Ireland Programme, to include other self-employed artists.The Department of Culture, Heritage and the Gaeltacht will work with the Arts Council and the representative bodies for artists from different art forms to develop an independent and objective validation process that will certify the artists’ professional credentials.” In order to qualify for the scheme, professional artists must apply for and satisfy the qualifying conditions for Jobseeker’s Allowance including a means test.They must be unemployed, capable of, available for and actively seeking work. Applicants are also required to provide a certificate/declaration from their professional body as to their status as a professional artist.They must be registered as self-employed with the Office of the Revenue Commissioners and at least 50% of their income should be derived from their art in the previous year.Participants on the scheme can continue on a voluntary basis to avail of the supports of the Department of Employment Affairs and Social Protection’s Public Employment Service.Visual artists from Visual Artists Ireland and writers from the Irish Writer’s Centre have now been joined on the scheme by screenwriters, film directors and film actors.The theatre art form is open to actors, costume designers, theatre directors, set designers and stage designers.Musicians, dancers, choreographers, opera composers and circus and street performers complete the list of artistic disciplines who are now included in the scheme.New social welfare scheme opens for unemployed artists was last modified: September 6th, 2019 by Staff WriterShare this:Click to share on Facebook (Opens in new window)Click to share on Twitter (Opens in new window)Click to share on LinkedIn (Opens in new window)Click to share on Reddit (Opens in new window)Click to share on Pocket (Opens in new window)Click to share on Telegram (Opens in new window)Click to share on WhatsApp (Opens in new window)Click to share on Skype (Opens in new window)Click to print (Opens in new window)
Raptors guard Fred VanVleet was seen bleeding from his eye area after taking an elbow from Warriors guard Shaun Livingston on a rebound attempt.Livingston went up to pull down a missed Warriors shot when his left elbow connected with VanVleet’s face with 9:35 left in the fourth quarter of Game 4.The Raptors guard looked dazed, laying on the floor of Oracle Arena for an extended period as blood appeared to come out of his eye.Fred VanVleet headed back to the locker room after catching an …
Independent filmmaker, Sibs Shongwe-La Mer, is challenging the film industry with his high quality low-fi movies.(Image: Shamin Chibba) Shongwe-La Mer’s “Territorial Pissings” will feature at the 70th Venice International Film Festival at the end of August.(Image: The Whitman Independent) A scene from “Territorial Pissings” depicting dispossessed youth, which is a major theme in the story.(Image: The Whitman Independent) MEDIA CONTACTS • Sibs Shongwe-La Mer +27 82 0700 640 RELATED ARTICLES • Triggerfish takes on the big boys • Locally-made films get Oscar nod • Local presence at global film event • Hollywood honour for local filmmaker Shamin ChibbaWhen South African low-fi filmmaker Sibs Shongwe-La Mer stood up on stage at TEDx Johannesburg, a conference where creative minds gather to share ideas, he seized the audience’s attention by asking: “What happened to that inner child? What happened to the creative we have left to die?” The 21-year-old was referring to society’s willingness to give its creative powers to a handful of industry gatekeepers.Dressed in a scruffy checked jacket, jeans, a red beanie and two silver studs hanging from his bottom lip, Shongwe-La Mer epitomised the anti-establishment message he delivered on stage. “I believe we should all just express ourselves. As an audience member let me decide what is good or not. I hate the idea of gatekeepers.”It is this courage to challenge the creative industry, coupled with some bold filmmaking, that has taken Shongwe-La Mer to the 70th Venice International Film Festival. His latest offering, Territorial Pissings, has been selected for the festival’s first edition of the Final Cut in Venice workshop, which will take place on 31 August. The programme will showcase four African films that are in post-production.Named after a song by American grunge band Nirvana, Territorial Pissings plays out over Youth Day and focuses on the conversations between disillusioned, middle-class young adults living in suburban Johannesburg. “Even though it is Youth Day, you see all these kids doing drugs, experimenting with their sexuality, and not knowing where they are. This is the generation I grew up in.”Shongwe La-Mer said every part of the film was taken from his experiences as a black youth raised in an affluent suburb, including the dramatic hanging of one of the characters in the introduction. “Suburbs are not havens. Bad things happen there.”At the festival, the film will compete against The Cat by Ibrahim El Batout of Egypt, Challat Tunes by Kaouther Ben Hania of Tunisia, and Avec Presque Rien by Nantenaina Lova of Madagascar. Producers, distributors, buyers and festival programmers will assess each film, after which they will choose the best one for the grand prize. The winner will receive more than €55 000 (R750 000 or $73 000) in technical expertise, including sound mixing, digital colour correction and special effects.Even though the festival is still to start, just being selected has already brought Shongwe La-Mer international recognition. Russian, Ukrainian and French distributors have approached him to buy Territorial Pissings to distribute it globally.Shongwe-La Mer’s low-fi films are created with little or no budget, which means he needs to use equipment ranging from a camera phone to a handheld camcorder. And as with Territorial Pissings, his production crew is no more than four people. Yet he never intended on entering the independent arena. “I make and release a lot of music; I exhibit as a photographer and I write. So filmmaking kind of came full-circle. Film, it seemed, would embody everything that I love.” Anti-establishment sentimentsHis independent style, he implied, challenged the conventional way films were made. For him, being chosen for the festival was testament to the idea that films did not need budgets or gatekeepers to be successful. “Who are these five people who have money and are dictating how things are going to be? They are not experts of the soul or spirit quality. We are. What we need is people doing things with creative ideas.”In his TEDx talk, Shongwe-La Mer said the film industry was dying. Strong words indeed, which many around him feared would anger industry role players. But he was unfazed. He added that creativity started before industry put a price tag on it. “Our history was of a free creativity way before enterprise. And now enterprise has wasted away and because of that they are saying we cannot be creative anymore. But I say, ‘No, that is not true’. This is the most beautiful time because we are returning to the roots of creativity.” Minimalist filmmaking is his messageAfter graduating from high school, Shongwe La-Mer tried to join the film industry but was rejected. After some deliberation, he realised he could produce his own films without the approval of the industry. He began by using a high-definition cellphone for filming as well as a small production crew. He quickly gained recognition online for his honest storytelling. “If you have a Facebook account there will be 2 000 people who have you in their pockets at any time.”While Territorial Pissings may depict a group of directionless youth trying to make sense of life, Shongwe-La Mer said he was not trying to punt a particular message. Instead, he held that his message lay in the way he made his films. His focus is on practical action that will encourage creativity in people. “If you do what you do in an interesting way, people will be inspired to do even better things from that platform. For a lot of people, what I spoke about on [the TEDx] stage will not hit home. Not until they pick up a camera and create something, even just for fun.” The Whitman IndependentShongwe-La Mer established The Whitman Independent, a platform for independent filmmakers, artists and photographers to showcase their work at minimal cost compared to mainstream platforms.In its short existence, it has already challenged an established gallery by representing Cape Town fine art photographer Jordan Sweke. Sweke approached the gallery on his own to ask if it would exhibit display his work, but he was turned away. But after The Whitman Independent represented Sweke in an exhibition at the same gallery, the owners praised his photography. “What is this system that is killing artists like [Sweke]?” asked Shongwe-La Mer. “After being rejected, an artist does not go to the next gallery. You know what he does? He makes a fashion photography reel and goes into advertising because he does not believe he can be an artist.”The Whitman Independent, which operates in Johannesburg and Cape Town, has hosted 15 exhibitions and two film festivals since February. It has also published its first book, Culture, a compilation of illustrations, short stories and poetry. In September, it will go beyond the confines of art when it hosts its first food day in the Mother City. “Me and the Cape Town curator were saying that the first sign of a free society is when food becomes less expensive,” said Shongwe La-Mer.View an excerpt of Territorial Pissings on the Brand South Africa blog.
As 2010 draws to a close we’re taking a look at a few cloud startups that show promise and that we haven’t covered on ReadWriteCloud.Loggly is a cloud-based log management service for system administrators, application developers and data analysts. Loggly can collect logs from multiple servers and aggregate them into one searchable location. The San Francisco based company was founded in 2009 and is funded by Trinity Ventures and True Ventures. Why Tech Companies Need Simpler Terms of Servic… Tags:#cloud#saas Related Posts Like Netuitive, which we profiled yesterday, Loggly is using the cloud to simplify IT management. Most large IT environments have reached the point that monitoring all necessary logs isn’t humanly possible, making solutions like Loggly and Netuitive are extremely useful.Logs are transmitted to Loggly through an HTTPS connection and stored on Loggly’s servers. According to Green Data Center Blog Loggly uses Hadoop and Amazon Web Services to power its service. It’s free while in beta, but will have pricing starting at $99 a month when it graduates from beta.Logs can also be accessed through an API so enterprises can create custom uses for the service or conduct backups. Top Reasons to Go With Managed WordPress Hosting A Web Developer’s New Best Friend is the AI Wai… klint finley 8 Best WordPress Hosting Solutions on the Market
California is Best; Wyoming is WorstWest coast, Northeast, and Lakes states fill out the top 10WASHINGTON, DC — The American Council for an Energy-Efficient Economy (ACEEE) has ranked all 50 states for the quality of their energy-efficiency programs and policies. California received the highest ranking; in descending order, the next best states are Oregon, Connecticut, Vermont, New York, Washington, Massachusetts, Minnesota, Wisconsin, and New Jersey.Maggie Eldridge, an ACEEE research associate, noted, “The top-ranked states are demonstrating great leadership in promoting energy independence with cost-effective energy-efficiency investments.” ACEEE scores states on the quality of their utility-sponsored and state-sponsored energy-efficiency programs, their building energy codes, their appliance efficiency standards, and the energy efficiency of public buildings, among other factors. At the bottom of the list, in descending order, are Arkansas, West Virginia, Oklahoma, Missouri, Tennesse, Mississippi, South Dakota, North Dakota, Alabama, and Wyoming. For more information, visit the ACEEE website.
Asian Games gold medallist Sudha Singh settled for a silver while Tintu Luka and Ghamanda Ram won a bronze each on the final day as India finished eighth in the Asian Athletics Championships with 11 medals at Kobe in Japan on Sunday.Indian’s bronze medallist Ghamanda Ram crosses the finish line in men’s 800m on SundaySudha, who was bidding to become the first woman to win both Asian Games and Asian Championships, clocked 10:08.52sec in the 3,000m steeplechase -well below her national record of 09:55.67secs which she clocked at Guangzhou last year.Japan’s 38-year-old Minori Hayakari won the gold with a new championship record of 9: 52.42sec. Thi Phuong Nguyen of Vietnam took bronze in 10:14.94s. It was yet again a case of Tintu failing to win gold in a big international event as she finished third in the 800m with a timing of 2:02.55 secs -slower than her national record of 1:59.17 which she set last year.Luka, who had won a bronze at the Asian Games, presented a strong challenge to eventual gold and silver winners Thanh Hang Truong (2:01.41s) of Vietnam and Margarita Matsko (2:02.46) of Kazakhstan towards the end but it was not enough. Ghamanda Ram gave India a bronze in the men’s 800m as he finally managed to live up to his potential of being among the best in Asia by winning his maiden Asian Championship medal in a personal best timing of 1:46.36s.However, he missed an Olympic berth by just 0.16 secs. The second Indian runner in the event, Sajeesh Joseph finished fifth in 1:48.56. Mohamed Al-Azimi of Kuwait won the gold in 1:46.15 secs to become the only athlete to win both 800 and 1,500m at the same Asian Championships.advertisementHe beat defending champion Sajad Moradi of Iran, who finished in second place with 1: 46.35s. With the silver and two bronze on Sunday, India took their medal haul to 11 (one gold, two silver and eight bronze) in the fourday meet, which equalled their tally in the last edition at Guangzhou two years ago when the country won one gold, three silver and seven bronze.With the likes of Ashwini Ajkkunji, Mandeep Kaur and Sini Jose caught for doping, India failed to finish on the podium in the women’s 4x400m relay. The second string quartet of Mrudula Korada, Jhuma Khatun, OP Jaisha and Tintu Luka finished fourth and last with a timing of 3: 44.17. A strong Japanese team annexed the gold in 3:35.00.The men’s 4x100m relay quartet of Ritesh Anand, Krishnakumar Rane, Shameer Mon and Rahamatulla Molla finished eighth and last in 40.38secs. Japan won the gold in 39.18 secs. Japan topped the medals tally with 11 gold, 10 silver and 11 bronze, pushing China to second spot (10-12-5). Bahrain was third.With inputs from PTI.
zoomImage Courtesy: Torvald Klaveness In an effort to finance its newbuild vessels, owner and operator of combination carriers Klaveness Combination Carriers (KCC) has managed to raise USD 45 million through the private placement of common shares.Following the successful closing of the private placement, the company will issue 8,241,750 common shares at a subscription price of USD 5.46 per share for aggregate gross proceeds of USD 45 million.As informed, the net proceeds are intended for two new vessels. Specifically, the company will use the funds to partly equity finance one declared CLEANBU newbuilding and one CLEANBU newbuilding option from Jiangsu New Yangzi with scheduled deliveries in 3Q and 4Q 2020, as well as for general corporate purposes including working capital, supervision and transaction costs.Klaveness Ship Holding AS invested USD 3.6 million in the private placement and will own approximately 63% of the outstanding share capital following the issuance of the new shares.“KCC has through this transaction taken a significant step towards growing the company and its new combination carrier service in the CPP market. Further, following the new, wide investor base, the company is well set up for potential future fund raising and eventual listing on the Oslo Stock Exchange,” Lasse Kristoffersen, CEO of Torvald Klaveness and Chairman of KCC, commented.The company’s shares will be tradable on N-OTC on or about October 9, 2018.In April 2018, KCC was established with an aim to own and operate modern combination carriers by providing environmentally friendly transportation system with “the lowest carbon emissions in the industry”.Combination carriers are vessels able to transport both dry and wet bulk cargoes in the same cargo holds. Through this, the vessels achieve 45% more revenue days, 40-60% lower fuel consumption and CO2 emissions, and 1.5 – 2 times higher earnings compared to standard bulkers and tankers.
A 50 percent recovery in crude oil prices raises concerns about its impact on global economy, but analysts see more chances of a fall in prices than for a rise.”We do not think that a rebound in oil prices to $60-70 per barrel represents a major threat to the global recovery,” said Capital Economics in a note on Thursday.It says current level of prices is far below the average of $110 (for Brent) seen between 2011 and mid-2014, benefitting the consumers. Besides, the current rebound in oil prices is expected to ease pressure on the producers to a little extent.Brent crude oil prices have recovered to nearly $70 per barrel, up $24 from its January low of $46 per barrel.The recent rebound in oil prices has largely been supported by falling US oil production over the past three months, as drillers idle their oil rigs due to weak prices.However, many analysts say that higher prices will attract the US oil drillers to resume production.”Some US oil producers have announced their intention to scale up their drilling activities again at higher oil prices,” said Commerzbank Corporates & Markets in a note.Capital Economics expects the US drillers to increase the active rig count again in the short-term leading to sudden rebound in the US production.Further, the oil market is already oversupplied even before Iran starts exporting oil once the sanctions are eased.Oil prices are likely to come under pressure going into the meeting of the Organisation of the Petroleum Exporting Countries (OPEC) on 5 June in Vienna.In its previous meeting in November last year, the OPEC had rejected the proposals to cut oil production by 30 million barrels per day, which accelerated the decline in oil prices.”OPEC delegates have already hinted that no change to production policy is likely at the cartel’s meeting in early June, meaning that OPEC will continue to produce more than is needed,” Commerzbank added.The dollar is expected to strengthen again on impending US central bank interest rate hike, putting pressure on the oil prices.”We think that oil prices are now more likely to fall than to rise further over the rest of the year. Our end-2015 forecast for Brent remains $60,” Capital Economics added.
The All India Congress Committee (AICC) has approved Baig’s suspension on the recommendation of the Karnataka Pradesh Congress Committee (KPCC).IANSThe Karnataka Congress suspended its senior legislator from Bengaluru R Roshan Baig for anti-party activities, a party official said late Tuesday (June 18).”Baig has been suspended with immediate effect for his anti-party activities,” said state Congress General Secretary VY Ghorpade in a statement here.The All India Congress Committee (AICC) has approved Baig’s suspension on the recommendation of the Karnataka Pradesh Congress Committee (KPCC) to take action against him on the basis of an enquiry into his activities.Baig, a former Congress minister, is an eight-time legislator from the Shivajinagar Assembly segment in the city centre.Baig has been in the news of late for wrong reasons, including his alleged involvement in the multi-crore Ponzi scheme, operated by IMA Jewels owner Mohammed Mansoor Khan, who fled the country on June 8.In a purported video clip posted in the social media, Khan accused Baig of blackmailing him for asking to return about Rs 400 crore he claimed to have given the latter for contesting in the recent Lok Sabha elections from Bangalore Central seat though he did not get the ticket.Upset by Baig’s open criticism of the party’s state leadership, KPCC on May 21 served notice to him, seeking an explanation for his attack on AICC general secretary KC Venugopal and Congress Legislative Party (CLP) leader Siddaramaiah for the rout the party faced in the parliamentary elections.Venugopal is also in charge of the party’s state unit affairs.Commenting on the May 19 exit polls on May 20, that projected Congress performing poorly in the general elections, Baig lashed out at Venugopal, Siddaramaiah and party’s state unit president Dinesh Gundu Rao.”Venugopal is a buffoon. What he knows about the party in our state as he is from Kerala? Due to Siddaramaiah’s arrogance, the party lost in the May 2018 Assembly elections and Rao’s immaturity is responsible for the dismal state of affairs currently,” Baig told reporters at his residence here.Baig has been sulking against the party leadership since a year for being denied a cabinet post despite being the Muslim face of the party after the death of veteran party leader Jaffer Shariff in November last year.